2010年3月9日
Midterm artwork - Make up on a paper
Make up on a paper
I’m just thinking why should we apply cosmetics only on faces? Can’t it be applied on any things else? Or even on a plane surface, but not an irregular surface?
So, a crazy idea comes up. I make up on a pure white paper. I imagine there are eyes, nose, and mouth on “her face”; she is a beautiful girl.
Nowadays, most of the women in Hong Kong make up their face before going out. I think this is too much. You can easily imagine how their faces look like after they take off their cosmetics. It is just like… my beautiful “miss paper” taken off her cosmetics – a blank paper.
Let’s get started
Actually I’m not good at making up; I just know the basics and make up when necessary.
I take out all the cosmetics I have.
And of course our main character – miss paper
Finished work
We all can see a “face” on the paper, right? Maybe all the faces of women on the street are just like this…
Part 2 – make up on a mirror
Then, another idea comes up on my mind. What if I make up not on my face but on the mirror when I am making up in front of a mirror? Would it be the same effect? (haha, of course I know it won’t be, I’m not retarded.) Then I can simply hold this mirror in front of me, and make up myself every time when I need. What’s more, I can even make up my friends’ faces in one second. (hahaha…)
Miss cutie apple mirror:-)
This time I hold a mirror and start making up on it…
But then I found some difficulties…
I found the final product very ugly! And even I can’t see myself in the mirror. Also, I should put the mirror very close to my face, which make my eyes hard to focus…
Any suggestions for this miss apple mirror:-(??
Anyway, I found this making up very interesting. And one more time I notice that art is around us. Life is art. Art is not so high, so faraway; art is about every details of our life. Maybe in some sense it’s a kind of dadaism.
2010年3月4日
如能踏進達利畫的畫
能融掉了鐘講遍夢話
超現實主義 (Surrealism) 起源於二十年代的法國,受到精神分析學家佛洛伊德(S.Freud) 的影響,認為人的真正面目,是隱藏在潛意識及夢境裏的。超現實主義畫家相信繪畫不應受理性及傳統所束縛,於是便嘗試在繪畫中融合現實及內心世界的景象。
The Persistence of Memory

在『記憶的堅持』之中的軟掉的時鐘正是一個代表。『由硬變軟』對人類心理而言通常是一種『越來越糟』的時間感加失望感,對比的心理聯想是食物腐爛、冰淇淋溶化等等意像。於是在我們尋常觀念中冷硬的時鐘在本畫變軟,馬上很容易產生『越來越糟』的感覺;更由於主角是『時間』,更產生對青春白白浪費的恐懼感。所以展示這幅繪畫給人的第一眼印象,往往有一種說不出的恐懼,這正是達利的超現實主義畫風要帶給觀賞者的心理感受。